Difference between revisions of "Vadi Chapter 14"
From Swordschool
Jump to navigationJump to search (Created page with "This chapter describes the mezo tempo, which Vadi appears to use to mean the short blows we make from the meza spada crossing. It is critically important that the blow does no...") |
Guy Windsor (talk | contribs) |
||
| (One intermediate revision by one other user not shown) | |||
| Line 1: | Line 1: | ||
This chapter describes the mezo tempo, which Vadi appears to use to mean the short blows we make from the meza spada crossing. It is critically important that the blow does not leave you open to a strike, and so you must treat as one the parry and strike- in other words keep your weapon between you and your opponent's sword. | This chapter describes the mezo tempo, which Vadi appears to use to mean the short blows we make from the meza spada crossing. It is critically important that the blow does not leave you open to a strike, and so you must treat as one the parry and strike- in other words keep your weapon between you and your opponent's sword. | ||
{{ | {{#ev:vimeo|348187137}} | ||
Latest revision as of 11:40, 2 September 2020
This chapter describes the mezo tempo, which Vadi appears to use to mean the short blows we make from the meza spada crossing. It is critically important that the blow does not leave you open to a strike, and so you must treat as one the parry and strike- in other words keep your weapon between you and your opponent's sword.
